February 4, 2018April 20, 2018 Gillian Mciver

Art History for Filmmakers: the Alluring Nymphs of Pegae – defended

January 21, 2018February 6, 2019 Gillian Mciver

Energy, enargeia and excitement: the cinematic paintings of Jacques-Phillipe de Loutherbourg

December 31, 2017January 27, 2018 Gillian Mciver

Power of THREE: 3 art works, 3 artists, one twitter feed

December 27, 2017January 24, 2018 Gillian Mciver

Disney just cannot compete with a 16th century painting…

December 14, 2017January 27, 2018 Gillian Mciver

Violence and Vileness in History: The massacre of the innocents

September 20, 2017April 8, 2018 Gillian Mciver

art into film – Morandi and Antonioni

July 6, 2017October 6, 2025 Gillian Mciver

Raft of the Medusa – the exciting disaster movie we are all waiting for?

April 21, 2017January 24, 2018 Gillian Mciver

Looking at a painting through the eyes of a filmmaker

December 13, 2016October 6, 2025 Gillian Mciver

the ‘POW!’ power of Colour: Abstract Expressionism at the Royal Academy

November 20, 2016 Gillian Mciver

thoughts on Caravaggism